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Nearly 40% of the nineteenth-century cloth-case bindings analyzed for this project, to date, contain lead in the bookcloth colorant. Analysis of a range of bookcloth colors has also identified barium, chromium, copper, iron, and mercury. | Nearly 40% of the nineteenth-century cloth-case bindings analyzed for this project, to date, contain lead in the bookcloth colorant. Analysis of a range of bookcloth colors has also identified barium, chromium, copper, iron, and mercury. | ||
− | No matter | + | No matter which pigments or dyes may be present, it is best practice to avoid eating or drinking while handling nineteenth-century, cloth-bound books. It is also best practice to wash hands after handling books, especially before eating or drinking. |
==Trends in Use of Emerald Green Bookcloth== | ==Trends in Use of Emerald Green Bookcloth== |
Revision as of 13:59, 28 August 2020
by Melissa Tedone, Winterthur Lab Head for Books & Library Materials/ Affiliated Associate Professor WUDPAC
The Winterthur Poison Book Project is an ongoing investigation initiated in April 2019 to identify potentially toxic pigments coloring Victorian-era bookcloth.
Analysis of decorated, cloth-case, publisher’s bindings at Winterthur Library revealed starch-coated bookcloth colored with “emerald green,” or copper acetoarsenite, an inorganic pigment known to be extremely toxic. This pigment’s popularity in England and the United States during the Victorian era is well documented. While the colorant was known to be widely used in textiles for home decoration and apparel, wallpaper, and toys, its use specifically in bookcloth has not been formally explored. Successful bookcloths were a closely guarded trade secret during the nineteenth century, limiting our current understanding of their materiality and manufacture. Conservation staff and interns at Winterthur Museum, Garden and Library conducted a survey of bookcloth pigments in order to correlate the presence of emerald green and other potentially toxic pigments with specific publishers and date ranges. The project initially focused on the library’s circulating collection, which poses a greater potential risk to patrons, and then expanded to include the rare book collection.
In December 2019, the Winterthur Library data set was further expanded in cooperation with The Library Company of Philadelphia, which has significant holdings of cloth-case publisher’s bindings.
What differentiates this research project from others centered around arsenic-based pigments in library collections is threefold: first, the toxic pigment permeates the outer covering of Victorian-era, cloth-case publisher’s bindings; second, the large quantity of arsenic-based pigment present in bookcloth; and third, such mass-produced bindings may be commonly found in both special and circulating library collections across the United States and the United Kingdom.
Contents
- 1 General Handling Tips for Nineteenth-Century Cloth-Case Bindings
- 2 Trends in Use of Emerald Green Bookcloth
- 3 Emerald Green Color Swatch Bookmark
- 4 Safe Handling & Storage Tips for Arsenical Books
- 5 Disaster Planning & Response for Arsenical Books
- 6 Arsenical Books List
- 7 Methodology & Results of Analysis
- 8 Project Researchers
- 9 Project Publications & Presentations
- 10 Further Reading
- 11 Funding Acknowledgments
- 12 Disclaimer
General Handling Tips for Nineteenth-Century Cloth-Case Bindings
Nearly 40% of the nineteenth-century cloth-case bindings analyzed for this project, to date, contain lead in the bookcloth colorant. Analysis of a range of bookcloth colors has also identified barium, chromium, copper, iron, and mercury.
No matter which pigments or dyes may be present, it is best practice to avoid eating or drinking while handling nineteenth-century, cloth-bound books. It is also best practice to wash hands after handling books, especially before eating or drinking.
Trends in Use of Emerald Green Bookcloth
Based on the data collected at Winterthur Library and The Library Company of Philadelphia, the following trends in the use of emerald green bookcloth have been identified:
- Vibrant green bookcloth covering the boards (front and back covers)
- Vibrant green or faded brownish bookcloth on the spine
- Gold and blind stamped decoration, often paired with gilt textblock edges
- English or American imprint
- Publication date between 1840s-1860s
We have developed a color swatch bookmark to aid in the visual identification of volumes potentially bound in emerald green bookcloth.
Emerald Green Color Swatch Bookmark
As of August 2020, we have mailed over 300 bookmarks to 28 of the United States and 7 other countries around the world. These bookmarks are intended to assist with visual identification of bookcloth which may be pigmented with copper acetoarsenite (emerald green). To receive a color swatch bookmark, please email reference@winterthur.org and write “Emerald Green Bookmark” in the subject line. Please include the following information in your email:
- Name
- Mailing address
- Daytime phone number
- We will not share your contact information with third parties.
Please consider making a $5 donation to support the Poison Book Project. A $5 donation will cover bookmark printing and mailing costs, and we also welcome larger contributions to help fund ongoing publicly-available research. Thank you!
Safe Handling & Storage Tips for Arsenical Books
Avoid opportunities for ingestion or inhalation of emerald green pigment. Avoid eating, drinking, smoking, or biting fingernails while handling potentially arsenical bookcloth.
Wear nitrile gloves:
Avoid handling suspected emerald green bookcloth with bare hands. Although arsenic is unlikely to be absorbed through the skin, it can offset onto the hands and be ingested or inhaled through touching the face or eating/drinking. Handling books with damp or sweaty hands can increase the risk of arsenic offsetting onto the skin.
Wash hands:
Even when using gloves, wash hands after handling suspected emerald green bookcloth.
Isolate book for storage:
If a book is suspected to be bound in emerald green bookcloth, seal the book in a zip-top, polyethylene baggie to limit handling and contain potentially friable pigment. Winterthur Library relocated arsenical books from its circulating collection to its rare book collection.
Wipe down surfaces:
Handle books bound in emerald green bookcloth on hard surfaces (such as a table), and avoid upholstered surfaces (such as an armchair). After handling, wipe down hard surfaces that have come into contact with the book using a damp, disposable cloth.
For Conservators:
A professional conservator performing a conservation treatment on a book bound in emerald green bookcloth should observe the same precautions as above. In addition, work under a certified chemical fume hood. If a chemical fume hood is not available, a second option is to conduct treatment using a ductless fume hood for particulates with a combination HEPA/charcoal filter. Be aware that the introduction of wet adhesives could cause arsenic to migrate in greater concentration toward the source of moisture.
Disaster Planning & Response for Arsenical Books
Should a disaster situation arise involving fire or water, the risks associated with arsenical bookcloth increase. These risks can be mitigated with disaster planning and labeling. Consider storing arsenical books together in one storage area which can be clearly labeled for disaster responders, in addition to item-level caution labels on individual enclosures. While proper PPE should always be worn during salvage, make sure the need for PPE when handling arsenical books is emphasized in written disaster plans.
Arsenical Books List
In the nineteenth century, not every book from the same edition would have been bound identically. Therefore, it is possible to have a book of the same edition listed below, but which is not bound in emerald green bookcloth. We provide this list of books that we have found to contain arsenic as a starting point from which other institutions and private collectors may consider their own collections. This table was last updated on August 28, 2020.
OCLC No. | Title | Author | Imprint | Date |
---|---|---|---|---|
Affection's Gift | Philadelphia: Henry F. Anners | 1850 | ||
Angel Whispers | Boston: Dayton & Wentworth | 1855 | ||
Angel Whispers | Boston: Wentworth & Co. | 1856 | ||
Complete Poetical Works of William Cowper, Esq., The | New York & Philadelphia: Appleton & Co. | 1845 | ||
Crystal Sphere: its forces and its beings, The | Sanders, J. Milton | London: Hippolyte Bailliere, 219, Regent Street, and 290, Broadway, New York. Paris: J.B. Bailliere, Rue Hautefeuille. Madrid: Bailly Bailliere, Calle del Principe. | 1857 | |
54211672 | Elementary Instruction in the Art of Illuminating and Missal Painting on Vellum, etc, 4th edition | Laurent de Lara, D. | London: Ackermann & Co. Strand, and all booksellers | 1858 |
Ellen; or, The Chained Mother | Harlan, Mary B. | Cincinnati. : Published for the author, by Applegate & Co. | 1855 | |
Faggots for the Fireside | Goodrich, Samuel G. (Samuel Griswold), 1793-1860. | New York: D. Appleton & Co. | 1854 | |
Floral Souvenir, A Perennial Gift | Chambersburg, PA: Shryock, Reed & Co. | 1841 | ||
Friendship's Offering | New York: Leavitt & Allen | 1856 | ||
Gem Annual, The | Philadelphia : E. H. Butler & Co. | 1854 | ||
Gift of Love | Boston: J.Buffum | 1850 | ||
Grandpapa's Tales About Animals | Bland, James | Halifax [Eng.]: Milner and Sowerby | 1850 | |
Hoyle's Games | Philadelphia: Henry F. Anners | 1845 | ||
Kanavagh: a tale, Illustrated | Longfellow, Henry Wadsworth | London: W. Kent & Co. (Late D. Bogue) 86, Fleet Street | 1858 | |
Leaflets of Memory | New York: Leavitt & Allen | 1855 | ||
Liberty Bell, The | Boston: National Anti-Slavery Bazaar | 1856 | ||
Macaulay's Lays of Ancient Rome | Macaulay, Thomas Babington | Philadelphia: E. H. Butler & Co. | 1854 | |
Military Journal of Major Ebenezer Denny | Philadelphia: J.B. Lippincott & Co. | 1859 | ||
My Own Garden | Mrs. Loudon | London: Kerby & Son | 1855 | |
Nellie Gray, or Ups and Downs of Everyday Life | Philadelphia: American Sunday School Union | 1855 | ||
4272866 | Nothing to Eat, Illustrated | Jenkins, Edward O. | New York: Dick and Fitzgerald | 1857 |
Oasis, or Golden Leaves of Friendship, The | Ferguson, N.L., Ed. | Boston : Dayton and Wentworth, 86 Washington Street | 1855 | |
On Human Longevity and the Amount of Life Upon the Globe | Flourens, P. (Pierre), 1794-1867. | London: New York: H. Bailliere, Publisher | 1855 | |
Patent Hat, The | Ballou, Ellis, d. 1903. | New-York: : Published for the author by Carlton and Phillips, 200 Mulberry-St. | 1855 | |
Plants of the Holy Land | Osborn, Henry S. | Philadelphia : Parry & McMillan | 1860 | |
Poems of Oliver Goldsmith, The | London and New York: George Routledge & Co. | 1859 | ||
Rosebud, The | New York: Leavitt & Allen | 1856 | ||
Rosebud, The | New York: Leavitt & Allen | 1856 | ||
Rural Annual and Year-Book of Country Life | New York: Leavitt & Allen | 1856 | ||
4799738 | Rustic Adornments for Homes of Taste, 2nd edition | Hibberd, Shirley | London: Groombridge & Sons | 1857 |
Snowflake: a Christmas, New Year, and birthday gift, for MDCCCLIV | Philadelphia: E. H. Butler & Co. | 1854 | ||
Sweet Home; or: Friendship's Golden Altar | Boston: L.P. Crown & Co.; Philadelphia: J.W. Bradley | 1856 | ||
1044734 | Tallis's history and description of the Crystal palace, and the Exhibition of the world's industry in 1851; illustrated by beautiful steel engravings, from original drawings and daguerreotypes by Beard, Mayall, etc | Tallis, John | London & New York: J. Tallis and co. | 1852 |
1044734 | Tallis's history and description of the Crystal palace, and the Exhibition of the world's industry in 1851; illustrated by beautiful steel engravings, from original drawings and daguerreotypes by Beard, Mayall, etc | Tallis, John | London & New York: J. Tallis and co. | 1852 |
1044734 | Tallis's history and description of the Crystal palace, and the Exhibition of the world's industry in 1851; illustrated by beautiful steel engravings, from original drawings and daguerreotypes by Beard, Mayall, etc | Tallis, John | London & New York: J. Tallis and co. | 1852 |
Wanderers by Sea and Land, The | Goodrich, Samuel G. (Samuel Griswold), 1793-1860. | New York: D. Appleton & Co. | 1854 | |
Winter Wreath of Summer Flowers, A | Goodrich, Samuel G. (Samuel Griswold), 1793-1860. | New York: D. Appleton & Co. | 1854 | |
Works of Robert Burns, The | New York: Leavitt & Allen | 1856 |
Methodology & Results of Analysis
English-language books published between 1837 and 1900 align with the rising use of bookcloth on publisher’s case bindings, and were identified at Winterthur Library through the WinterCat OPAC. The first 200 books tested represented a range of vivid bookcloth colors. Thereafter, only books covered in green cloth were selected for analysis, in order to focus on arsenic and move through the collection more efficiently. X-ray fluorescence (XRF) was used to collect elemental information from bookcloths. When arsenic and copper were found together, Raman spectroscopy was used to confirm copper acetoarsenite. A total of 406 books from the Winterthur collection were analyzed, and ten were confirmed to contain copper acetoarsenite.
The Library Company of Philadelphia shelves its Americana collection chronologically according to publication date. Volumes were selected for testing by visual scan of the shelves in the appropriate date range (1830s through 1900). Approximately 80 books bound in green bookcloth or with green paper onlays were tested using handheld XRF. Spectra and bibliographical data were saved for each volume which showed the presence of arsenic and copper. A total of 28 books from the Library Company collection were found to contain arsenic.
The University of Delaware Soil Testing Lab performed quantitative analysis on a destructive sample from one Winterthur Library volume and revealed the presence of significant levels of arsenic. Quantitative analysis for arsenic on a dry cotton swab rolled across the surface of the bookcloth indicated that the bookcloth colorant is extremely friable.
Project Researchers
Lead Conservator: Dr. Melissa Tedone
Lead Scientist: Dr. Rosie Grayburn
Contributors:
- Emily Guthrie, Winterthur Library Director and NEH Librarian for Printed Books & Periodicals
- Jennifer Rosner, Head of Conservation, The Library Company of Philadelphia
- Meghan Abercrombie, Winterthur Intern
- Philip DePaola, Winterthur Intern
- Layla Huff, Winterthur Intern
- Sara Leonowitz, Winterthur Intern
Bookmark Designer:
- Karissa Muratore, Winterthur/University of Delaware Program in Art Conservation (WUDPAC) Class of 2020
Consultants:
- Michael Gladle, Director, University of Delaware Environmental Health & Safety
- Karen Gartley, Research Manager/Program Director, University of Delaware Soil Testing Program
Project Publications & Presentations
Tedone, Melissa, and Rosie Grayburn. Arsenic and Old Bookcloth: The Safe Handling, Treatment, and Storage of Victorian-Era Cloth Case Bindings. American Institute for Conservation 48th Annual Meeting (June 30, 2020).
Tedone, Melissa, and Rosie Grayburn. Winterthur Poison Book Project. Presented virtually at the ICON Book and Paper Annual General Meeting (June 3, 2020).
Tedone, Melissa. "Poison Book Project". IIC News in Conservation 77. April-May, 2020. 10-13.
Tedone, Melissa, and Rosie Grayburn. Poison Book Project: Analyzing Toxic Pigments in Victorian-Era Bookcloth. Lightning-round presentation at Safety and Cultural Heritage Summit, Smithsonian American Art Museum, Washington DC (October 30, 2019).
Further Reading
"Copper Acetoarsenite." NOAA CAMEO Chemicals version 2.7.1. rev 1. Accessed February 13,2020. https://cameochemicals.noaa.gov/chemical/2981
Gehle, Kim. “Arsenic Toxicity.” Environmental Health and Medicine. Centers for Disease Control and Prevention, Agency for Toxic Substances & Disease Registry, last modified January 15, 2010. https://www.atsdr.cdc.gov/csem/csem.asp?csem=1&po=0
Lundblad, Kristina. Bound to be modern : publishers' cloth bindings and the material culture of the book, 1840-1914. Trans. Alan Crozier. New Castle, DE : Oak Knoll Press, 2015.
Krupp, Andrea. Bookcloth in England and America, 1823-50. New Castle, DE: Oak Knoll Press; London: British Library; New York: Bibliographical Society of America, 2008.
Tomlinson, William, and Richard Masters. Bookcloth 1823-1980 : a study of early use and the rise of manufacture, Winterbottom's dominance of the trade in Britain and America, production methods and costs, and the identification of qualities and designs. Cheshire, Eng.: D. Tomlinson, 1996.
Whorton, James C. The Arsenic Century: how Victorian Britain was poisoned at home, work, and play. Oxford, New York: Oxford University Press, 2010.
Funding Acknowledgments
The project team gratefully acknowledges the following support for the Poison Book Project:
- The University of Delaware Art Conservation Department for generously funding the design and first printing of our color swatch bookmark.
- Our many generous donors who supported the project during the Do More 24 Delaware fundraising campaign coordinated by the United Way in February, 2020.
- The ICON Fred Bearman Research Grant to support archival research into bookcloth manufacture in England.
Disclaimer
Copyright 2024. This article describes conservation procedures and is meant to be used as exchange of technical information among trained cultural heritage conservators, and the procedures described herein should not be performed by anyone who is not a trained professional. Further, any advice, graphics, images, and information contained in this page is presented for general educational and information purposes, and to increase safety awareness in connection with the storage and handling of aged books that may contain toxic chemicals, such as arsenic. The storage, handling, and other safety tips included in this page are suggestions only and have been collected by the Poison Book Project of The Henry Francis du Pont Winterthur Museum, Inc. after consultation with scientists and other experts in the conservation field. None of the content in this page has been subjected to a formal peer review and is not intended to be medical or other expert advice or services, and should not be used in place of consultation with appropriate professionals. The information contained in this page should not be considered exhaustive, and the user should seek the advice of appropriate professionals.
In no event shall The Henry Francis du Pont Winterthur Museum, Inc. or its trustees, officers, affiliates, and employees, be liable for any liability, loss, injury, or risk (including, without limitation, incidental and consequential damages, personal injury/wrongful death, lost profits, or damages) which is incurred or suffered as a direct or indirect result of the use of any of the material, advice, guidance, or services on this site, whether based on warranty, contract, tort, or any other legal theory and whether or not The Henry Francis du Pont Winterthur Museum, Inc. or any of its trustees, officers, or employees is advised of the possibility of such damages. THE HENRY FRANCIS DU PONT WINTERTHUR MUSEUM, INC., TO THE FULLEST EXTENT PERMITTED BY LAW, DISCLAIMS ALL WARRANTIES, EITHER EXPRESS OR IMPLIED, STATUTORY OR OTHERWISE, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, NON-INFRINGEMENT OF THIRD PARTIES’ RIGHTS, AND FITNESS FOR PARTICULAR PURPOSE.